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PITCH BEND KONTAKT ORCHESTRA FULL
Skilfully orchestrated by Ben Foskett, high brass, low brass and woodwind ensembles mirror the strings' rich, full timbre and rounded note attacks, with the bassoon doing a great job in the woodwind low register. I particularly enjoyed the thrumming low-end energy of the basses' pizzicatos.
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These strings have a more expansive 'brushed' feel, and their re-bowed performances sound lush and languorous at slower speeds. I liked the three string sections' pulsing repetitions, which manage to sound urgent, powerful and propulsive at faster tempos while avoiding the pointed, percussive, somewhat manic quality of today's string spiccatos. Presented in a choice of duplet, triplet, quintuplet and septuplet divisions, the repetitions allow you to create combinations of different rhythmic groupings in whatever length or time signature you choose. It's simple to operate: load an ensemble, hold down a key and you're rewarded by an insistent, pulsing single-note repetition with built-in light on-beat accents creating a satisfying forward momentum. It contains no tonal evolutions: the repetitions are played straight at one dynamic with up to 14 rhythmical subdivisions, any of which can be independently mapped to 10 keyboard zones using a solitaire-style 'peg board' grid which displays mapping assignments as small coloured lights. A chamber-sized orchestra of 40 strings, 13 woodwinds and 19 brass players were recorded as separate ensembles from close, ambient, mid and wide mic positions, with an additional mix option created by recording engineer Fiona Cruickshank.Īudio titled The Kepler Laws - Oliver Patrice Weder by Sound On Soundīuilding on Spitfire's Evo Grid technology, Kepler Orchestra's Systems Grid houses a comprehensive set of repeated notes sync'ed to your host tempo. The project was recorded in the tight, dry acoustic of Air Studio One, the same room used for Spitfire's excellent Bernard Herrmann Composer Toolkit and Studio Orchestra libraries.
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In addition, there's the inevitable 'warped' section in which granular resynthesis and outboard effects mangle the raw samples into new soundscapes.
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Other goodies include 'momentum', 'shards' and 'doppler' performances (described below). To this end, it contains a set of cyclical orchestral articulations optimised for scoring realistic repeated notes and complex polyrhythms. The brainchild of Spitfire's Paul Thomson, Kepler Orchestra was inspired by the idea of contrasting rhythmic subdivisions that move in and out of sync like orbiting planets. Now, 400 years after the publication of Kepler's visionary treatise, we have the Kepler Orchestra, Spitfire Audio's combined homage to the 17th century astronomer and the great American systems composers. While this fanciful notion has inspired several concept albums, late-20th century composers such as Terry Riley, Steve Reich, Philip Glass and John Adams found it more fruitful to apply numerical processes to musical rhythm, leading to the influential 'systems music' style which places more importance on repetition with minimal changes than on harmonic development. In his 1619 publication Harmonices Mundi Kepler proposed the concept of musical harmonies based on the ratios of maximum and minimum angular speeds of planets - the 'music of the spheres' of ancient times. One such stargazing number-cruncher was the German mathematician and physicist Johannes Kepler, whose laws of planetary motion helped to fuel Sir Isaac Newton's gravitational theories. 1.Since time immemorial, astronomers have used maths as a tool to develop their theories.Dedicated interface with scripted features.Glissando scales are performed upwards, downwards and up-downwards in various speeds and dynamics. The sampled single note harp range is C0 - G6 with C3 being middle C. Pentatonic in F (new in Concert Harp EXP!) Paper notes (pieces of paper stuck between the strings) Single notes (4 dynamics, 2 alternations) InstrumentsĬoncert Harp offers the following banks and playing techniques. A variety of single note playing techniques and beautifully performed glissando scales and effects were sampled. This library features a beautifully sampled concert harp, recorded in a concert hall environment.